Allison Agsten, Director of Communications
Los Angeles County Museum of Art
5905 Wilshire Boulevard
Los Angeles, California 90036
T 323 857 6543, F 323 857 4702
LOS ANGELES MUSEUMS CELEBRATE MEXICO’S MILESTONES
WITH ROBUST SELECTION OF EXHIBITIONS SPANNING TIME AND MEDIA
Los Angeles (January 12, 2010)—To commemorate the 2010 centennial of the
Mexican revolution as well as the bicentennial of Mexico’s independence, Los
Angeles museums will present an array of exhibitions that span both media and
millennia. Beginning this month, the Autry National Center of the American West,
the Fowler Museum at UCLA, the Getty Research Institute, the Getty Villa, the
Los Angeles County Museum of Art (LACMA), and the Museum of Latin
American Art will each mount exhibitions that collectively will be on view for
approximately one year. Artists such as David Alfaro Siqueiros, David Mecalco,
and Felipe Ehrenberg will be represented as will ancient Aztec, Olmec, and pre-
Columbian works and more.
Autry National Center of the American West
Siqueiros in Los Angeles: Censorship Defied
September 2010–January 2011
Mexican artist David Alfaro Siqueiros was one of the greatest muralists of the
twentieth century. Revolutionary in technique, content, and social comment, his
work established Los Angeles as a key center for this public art form and started
a movement that continues today. The Autry National Center of the American
West, in partnership with noted academic and cultural leaders, will present the
world premiere exhibition Siqueiros in Los Angeles: Censorship Defied to bring a
renewed focus to the life and work of this renowned muralist and to explore his
significance and legacy within the art of Los Angeles.
Fowler Museum at UCLA
Fowler in Focus: X-Voto—The Retablo-Inspired Art of David Mecalco
January 31–May 16, 2010
For more than two decades artist David Mecalco has sold hand-painted
devotional images (retablos) from a stall in Mexico City’s La Lagunilla Sunday
antiques fair (commonly referred to as the Thieves’ Market). In recent years
these vibrant works—pulsing with images of the Virgin Mary, the devil, skeletons,
animals, petitioners, and more—have brought him international recognition.
Traditionally, wooden or metal-backed Mexican retablos are placed in churches,
shrines, or home altars and many are now commissioned as expressions of
gratitude (retablos ex votos) for prayers answered. See dozens of examples of
Mecalco’s lively re-conceptualization of the art form, inspired by the realities of
life in the barrios and pulquerías (saloons) of Mexico, which show a keen interest
in the suffering of those marginalized or abused by mainstream society.
Additionally, the Fowler plans a presentation of pre-Columbian works from
Mexico in the fall of 2010.
Getty Research Institute
Obsidian Mirror-Travels
November 16, 2010 – March 27, 2011
Curators: Khristaan Villela, University of New Mexico, and Beth Guynn, GRI
This exhibition explores representations of Mexican archaeological sites and objects
made during the past two centuries. Drawn mainly from the Getty Research Institute’s
vast holdings of books, engravings, drawings, photographs, objects, letters, and
postcards relating to Mexican archaeology, the exhibition features both well- and littleknown
images of ancient Maya and Aztec ruins made by archaeologist explorers such
as Frederick Catherwood, Désiré Charnay, and Augustus and Alice Le Plongeon.
Specific themes explored in the exhibition include the Aztec Calendar Stone, panoramic
visions of Mexico, and Mexican antiquities in relationship to the nineteenth-century
French intervention in Mexico, and later, during the long presidency of Porfirio Diaz
(1876-1910).
Getty Villa
The Aztec Pantheon and the Art of Empire
March 24–July 5, 2010
The Aztec Pantheon explores the parallels between two great empires—the
Aztec and Roman. Organized to celebrate the 2010 bicentennial of Mexican
independence, the exhibition illuminates the ongoing dialogue between the Old
and the New Worlds—a dual heritage that has shaped the modern contours of
Mexico. The Aztec Pantheon includes masterworks of Aztec sculpture, largely
from the collections of the National Museum of Anthropology and the Museo del
Templo Mayor in Mexico City, as well as the Florentine Codex, an iconic
chronicle of Aztec culture and history, returning to this continent for the first time
in over 4 centuries.
LACMA
Olmec: Colossal Masterworks of Ancient Mexico
Opening October 2010
Olmec is the first West Coast presentation of colossal works and small-scale
sculptures produced by Mexico’s earliest civilization, which began around 1400
BC and was centered in the Gulf Coast states of Veracruz and Tabasco. Olmec
architects and artists produced the earliest monumental structures and
sculptures on the North American continent, including enormous basalt portrait
heads weighing up to twenty-four tons, of their rulers. Small-scale jadeite objects,
which embody the symbolism of sacred and secular authority among the Olmec,
attest to the long-distance exchange of rare resources that existed as early as
1000 BC, and Olmec artists were unsurpassed in their ability to work this
extremely hard stone with elementary tools of chert, water, and sand. The
exhibition is organized by Mexico’s Instituto Nacional de Antropología e Historia,
LACMA, and the Fine Arts Museums of San Francisco, and is curated at LACMA
by Virginia Fields, senior curator of Art of the Ancient Americas.
Museum of Latin American Art
Manchuria: Peripheral Vision—A Felipe Ehrenberg Retrospective
May 22–August 15, 2010
MOLAA presents one of Mexico’s most illustrious and iconoclastic contemporary
artists. Organized by the Museum of Modern Art, Mexico City, the exhibition is
the first in the United States to profile Ehrenberg as an early proponent of the
postmodern aesthetic. Known as a neologist (one who invents or uses new
words and forms), Ehrenberg first experimented in England with the 1970s
Fluxus movement and returned to Mexico engaging in the practice of artist’s
books, performance, installation, media and intervention art. Recently Mexico’s
cultural attaché in the artistically progressive Sao Paulo, Brazil, his initiatives
continue to infuse the international art scene.
Museum of Latin American Art – Project Room
Mariana Castillo Deball
June 17–September, 12, 2010
Installation of objects including sculptures inspired by the Aztec goddesses
Coatlicue and Coyolxauhqui, the goddesses of death and the moon, respectively.
This project continues the artist’s critical exploration of Mexico’s complex
relationship with its archaeology. The exhibition will address the history of these
goddesses within the mythology, in an archeological and sociological context,
since their discoveries signified an important shift in the history of Mexican
archaeology.
Museum of Latin American Art – Project Room
Jorge Méndez Blake, All the Poetry Books
September 23, 2010 – January 3, 2011
This exhibition is part of a series of actions in Los Angeles public libraries in
which the artist will temporarily remove the poetry books and create site-specific
installations. This project is organized in collaboration with LAND (Los Angeles
Nomadic Division).
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